The Royal Treatment

04/25/2021

Already a long day of painting, this was a late afternoon session down the street from a restaurant where I’d just ate and drank to my fill with an old friend. I was supposed to be delivering a fresh batch of canvas prints to the restaurant as well. After a relaxed meal I told them I’d be right back with the art that was in my van around the back, then promptly got to talking with my old pal about where I might go paint next and he wanted to show me this spot and we got so excited that I jumped in the van and followed him down the hill to paint this scene.

About half way through painting it, I realized that all the art I was supposed to deliver was still in the van and they must have thought I was the biggest hack of an artist they’d ever seen. “Yeah I’ve got the prints, how about some food and beers first?” and “yeah, I’ll be right back with the art” and poof, I was gone. Never trust an artist.

All was well and good when I returned though, I think they were so relieved to see me back and deliver the goods that they went right ahead and fed me again. The royal treatment indeed.


It wouldn’t be wrong to mention the restaurant here would it? I highly recommend The Shore Grille.

Hiding in Plain Sight

04/25/2021

Access to this pocket of reef beneath sandstone cliffs is now through a private club serving coastal California’s elites. An old friend of mine grew up surfing here before the club existed. 

The owner of the club is a rather infamous self-important jerk of sorts, and was probably here for an event, when security recently stopped my friend at the gate. They asked if he was on the guest list. Of course he was. He gave them a name. The guard fumbled with the list and with smug satisfaction placed his hand on the car as he was about to direct this unwelcome guest to turn around. My buddy glares at the guard and tells him to take his hand off his car as though he’s the boss himself. (It’s a nice ride, and he keeps it spotless.) The suddenly off-gaurd guard removes his hand, stands up straight, and my buddy blows right past him and heads past the clubhouse to his usual spot, and makes his way quickly down the bluff for a fun session.

Places like this hide in plain sight, existing squarely between two worlds. The elite and the illicit. The billionaires and the bankrupt and all that lies between. 

And I hid in plain sight while painting this. Out of bounds and over a roped off area, sneaking a view of this peak, in clear view of any hired staff who may or may not care that I was painting where I was.  Only one way to find out. I went after it fast, laying a sketch at breakneck speed, so that if I got the boot I’d at least have enough started to get ‘er done later. 

This would mean a lot to it’s eventual owner, a surfer who pioneered this wave that had long been considered unrideable. He rejected the blatant territorialism that was familiar to the north and south of this place, inspiring the next generation to guard the spot with aloha and skill instead of zip codes and fists. My friend above was part of this generation and he rallied the crew to have me paint this as a gift of gratitude for their respected elder. It’s an honor I can hardly describe, and I hope it brings back a million good memories every time he looks at it.


Walking on the Moon

04/19/2021

I don’t know why the child suffers
But I know he is more than his pain
I don’t know when he’ll return to this place
But I know he’ll be here again

I don’t know why this life
Brought him these troubles so soon
But I know that when his feet touch this sand
The child walks on the moon


Painted at the request of the parents of a small child suffering a painful medical condition. This beach is his favorite place in the world and they wanted him to have this painting to remember the place and bring him some cheer and remind him of good times had, and to look forward to as well.

South by South

04/19/2021

There are souths, and there are Big Souths, and there are places like this that are still south of those while still being north of many other souths, let the reader understand.

I’d spent the morning painting out on that headland just past the breaking waves, and the view in this direction made for a perfect bookend of an afternoon. Like justice being served.

Speaking of justice, we need to figure out how to serve justice to folks that are trashing beautiful places like this.  The view is worthy of the glossiest post card in the gas-station spinner rack, and yet the ground is covered in debris like the gnarliest gas station restroom you’ve ever laid eyes on. It’s sad. Sorry to mention it here, but it’s hard to see and say nothing about. If it gets much worse I might have start including the toilet paper drifting in the wind in these paintings and nobody, nobody, nobody wants that.


Rags to Riches

04/19/2021

A road closure not too far north of this headland made for a quiet night sleeping on a highway pullout. The view I'd come for was obscured by the marine layer which hovered about 200 feet above sea level so after a quick cup of coffee and some grumbling in the mist I made my way down to a gap in the barbed wire fence that I spotted passing through the previous evening.

I'd wanted to explore this zone in the past but had been met with barbed wire, no-trespassing signs, and poison oak encroaching all over what might have been a footpath behind an abused portion of fencing. There's times we face challenges that we must dig deep to meet. That's when we see what we're really made of.  In this case I dug deep and found an excellent reason to go somewhere else. I don't recall the reason, but it was pressing, let me tell you. Otherwise I'd have ventured boldly onto that sketchy poisonous path in a heartbeat. Ahem. Yes.

But I told myself I'd come back another day and this was the day. In a fortunate twist of fate, I was greeted this time by signs stating that the trail was open to the public during daylight hours. And through use the oak had been beaten back into a much more manageable submission beside the path. I should have grabbed my gear right then, but I got so excited that I charged down the path driven by curiosity and coffee and made my way out to this vista greeted by poppies and a sweeping view up the coast.  Stumbling on this scene after being denied in the past was like living through my own personal rags to riches story.

Sure, I had multiple commissioned paintings I needed to get done today, and sure, the fog had lifted and mostly burned off so I could have made a mental note and come back for this after being responsible and getting my paid "work" out of the way first, but I'd already left this place for another day once and I wasn't about to do it again, so it was off to the van for my gear and back again.  A good way to start the day.

Also of note: came across a big fat snake in the grass on my way back out the second time. Probably just a garter snake of some kind, but he was a thick one. I try to tread lightly out there anyway, but after seeing this bugger I tried my best to float over the trail instead.


Twenty Twenty-One

05/22/2021

This is a follow up piece to a painting I did back in 2020. You might remember that one, it was a little darker, a little stormier, a little more 2020. This one is 2021. It’s still dark and stormy but there is a break in the clouds at least for a moment.

I was thinking about the power of the ocean and how in spite of its beauty, it really doesn’t care about you at all and if you find yourself in the wrong place out there, well, you’re in a heap of trouble.

It may be a beautiful world for all of us at times, but just like the ocean, if you find yourself in the wrong situation, the world at large doesn’t care much for us either.

The house in the distance is the local U.S. Coast Guard headquarters on Humboldt Bay. They’ve saved a lot of lives over the years when people found themselves in the wrong place at sea.

I’d never painted this iconic building on the bay here even though it’s just down the hill from my home, and since this painting is being auctioned to benefit Humboldt “CASA” it would make sense to include a “house”, so I figured this was the time to make it happen.

But the real deal is that just like the Coast Guard is always there and ready to help us when we find ourselves in trouble at sea, so the folks at CASA are doing something just as heroic for kids who find themselves in trouble in life, without family, and in a world that doesn’t always care. CASA is there to advocate for these kids when nobody else is stepping up. And that is worth honoring.


*(CASA stands for Court-Appointed Special Advocates- and is made up of volunteers who are everyday people appointed by a judge to speak up and advocate for abused and neglected children in court.)


Nosebleeds

04/23/2021

To be honest I don't know why I'd never painted here before, I've painted a lot of Orange County beaches, both iconic and off the beaten path, but none more famous in modern times than this one. On any south swell you can expect to see footage and photos all over the internets and newspapers (where they still exist) and the nightly news on TV, it's hard to escape.

The day after I painted this I ate a bowl of cereal at my uncle's house in long beach and there on the front page of his morning paper were photos of this place, surfers being swallowed whole with no chance of escape. I recognized one of them specifically as a ride I had witnessed while painting this one.

Speaking of photographers I probably wouldn't have gained this particular perspective if it wasn't for one of these photographers. I wandered the entire beach on my arrival, the first time I'd been here in a very long time, and definitely the first time I'd scouted a painting here. I was drawn to this further vantage point that looked across the harbor and still caught the action out front in this gladiator pit of a surf spot.

As I was setting up near a lifeguard tower I got to talking with one of the photographers who was using the tower for a shooting platform and when I complimented him on his choice of vantage points he told me there was plenty of room up there if I wanted to paint. One thing I try to avoid when painting is setting up in a spot where I might get booted out before finishing and that was my concern here. Knowing the area well, he explained the lifeguards wouldn't be using this tower at all today and that was all the assurance I needed.

And indeed he chose the best seat in the arena as far as I was concerned. Look him up: Jeremiah Klein (@miahklein). You'll be stoked.

After he left there was a steady stream of photographers that made use of this platform as they made their rounds documenting the action. It's definitely one of the more unique ocean arenas in California, and up here in the nosebleeds section of the stadium we could see it all. One day I'll have to come back and get something that focuses more on the warping beast of a wave itself, but for my first crack, I was pretty stoked to come away with a painting that tells a bit more of story.


Irish Coffee

03/17/2021

A quick family getaway. An early morning stumble across a cow pasture. A desperate and failed effort not to spill my coffee while being distracted by this beauty. A fleeting glimpse of my wife jogging on the beach beneath the first light of day. How does she do that at this hour? I can barely walk.


Box of Rain

03/16/2021

Look out of any window…  
Dividing the morning  
And the evening   
And the day into thirds  
  
What’s a window but a box for the sky?  
And what’s the sky but a box full of birds?  
And what’s a bird but a box for our dreams?  
And what’s a dream but a box full of words?  
  
And what’s a word but a box full of meaning?  
And what does it mean to be a box at all?  
Does it need to hold something?  
Does it need to hold rain?  
What is rain but a song about a river?  
And what is a river but a way for water to fall?  
This river flows out and around some corner  
To meet the ocean   
To answer its call  
  
We see it all from where we stand  
Through your eyes we see it plain  
We’re going home tomorrow  
We’re going home broken  
Shattered by beauty  
It’s hard to explain  
  
But what is beauty but a box for love?  
And what is love but a box for pain?  
What is pain but a box for mercy?  
Just like the ocean  
… Is just  
A box of rain  


Prime Pelican Real Estate

03/16/2021

It had been awhile. We needed to getaway and we found what we were looking for on the Mendocino coast. A small house. Just our family and the wind and more beauty than one should rightfully be entitled to, unless it were by grace. Speaking of a different form of grace, pelicans are the masters, and it was a joy to paint this stretch of coast in their presence. What is going on with earth here though? Dizzying displays of plate tectonics. I set up a few feet from the edge, tying my easel to a small fence, partly to keep it from blowing away in the howling wind, and partly so I’d have something secure to grab on to should the heights send me spinning asunder.


End of Trail

03/16/2021

After finishing the previous painting, I ventured further on to explore this coast trail to its logical end. I found it here. The sign told me so. The ribbons and trinkets tied to the barbed wire fence spoke of the prayers of others who’ve walked this lonely path. And I thought to myself, “that makes sense… that’s what people do at The End.” The next day I returned with my family to share this beauty with them. It wasn’t so lonely when they were there with me. I didn’t think so much about Prayers or The End, instead we just sat and watched the whale spouts dancing like ghosts on the horizon.


The End of California

02/13/2021

I’ve painted the border fence at the Mexico border before, but this is the first painting I’ve done of California’s northern border. There’s really not much of a border there. Just a beach stretching into the distance. Oregon hasn’t yet built their wall to keep us out, but I won’t be surprised if they have plans in the works. On this day though, there was no need for a dramatic fence or wall, the weather provided the perfect border drama illuminating Oregon while leaving California in the dark.


The Entry Way

02/04/2021

A fine late-winter day on our local coast. It doesn’t get better than this around here. I saw other painters perched at nearly every lookout on this short stretch of scenic road, but somehow I managed to paint this one without getting tangled up in any arguments about ultramarine blue.


No Mere Maid

01/17/2021

At last! This one was 7 years in the making- just a quick pencil sketch way back when, set it aside, and forgot about it until I got a call back in November asking me to paint a “slutty mermaid”. That wasn’t gonna happen. But it reminded me of this idea for a north coast mermaid. She is strong, she is content, she thrives in a harsh and unforgiving environment. She is beautiful, but her beauty isn’t flaunted to feed or lure any depraved eyes. She is who she is, and she is No Mere Maid.⠀

The original sketch was just a whimsical idea, but as I started painting her it was like a well opened up and began overflowing with ideas. She’s wisdom personified as the divine feminine in the book of Proverbs. She’s the classical ideals of truth and beauty that we only see in glimpses, forever out of our mortal reach. She’s the one Dylan sings about in She Belongs to Me (although from his lyrics I don’t think she belonged to him, or anyone else either). She’s the sea itself. She’s a mirror held up to our soul as we wrestle with the oft-used archetype of the mythical mermaid. She’s all of those at once and more.


2021: A Few Questions

December 31, 2020

Can you just tell us now ⠀
What it is that you’ve got?⠀
Triple sevens for heaven’s jackpot⠀
After 2000 years in the casino hall⠀
Finally old enough to buy alcohol⠀
Make mine a double⠀
Or nothing at all⠀
If it’s the last call⠀
And that’s all you’ve got⠀

It’s a new beginning⠀
And a whole new end⠀

When the keys punch the headlines⠀
Into your skin⠀
Burning hot like cattle brands⠀
Will you have a choice⠀
Or will it be out of your hands?⠀
Will you see what is written⠀
Will you read your last rites?⠀
Will it be everything black⠀
Or everything white?⠀
Everything day or everything night?⠀
Is it all or nothing?⠀
Just this or just that?⠀
The record keeps skipping⠀
But nobody knows⠀
Where the player is at⠀
Something is broken⠀
Might be the record ⠀
Or maybe the needle⠀
You can get another one⠀
On the corner⠀
In front of the steeple⠀
The gates open wide⠀
The door swings on its hinge⠀
An injection to heaven⠀
Or a highway to seven⠀
Just a shot in the arm⠀
From the holy syringe⠀
What is it you’re drinking?⠀
Tell us again⠀
Do you have music⠀
In your streets with no end?⠀
Do you have love for your children⠀
Stronger than wind?⠀
Will you have my father⠀
To his own father sent?⠀
Do you live and die⠀
On this land planted deep?⠀
Do you know what is yours⠀
And what the earth keeps?⠀
Were you called into existence⠀
At a child’s first words?⠀
Were the lines on your face⠀
Just the flight path of birds?⠀
Will you have artists at work⠀
And writers putting it off?⠀
Will your wretched be righteous⠀
And your faithful still scoff?⠀
Will you make spaces between⠀
The wrong and the right?⠀
Will you have visions between⠀
Blindness and sight?⠀
Do you have multitudes always⠀
Demanding their way?⠀
Do you have anyone asking⠀
What you need today?⠀
Will you have a place ⠀
To keep these words hidden?⠀
A heart to hold them⠀
And break⠀
And be forgiven?⠀

It’s a whole new end⠀
And another beginning⠀

So one last time⠀
And then I will stop⠀
Tell us again⠀
Just what have you got?⠀
Triple sevens for the jackpot⠀
After 2000 years in the casino hall⠀
Finally old enough to buy alcohol⠀
Make mine a double⠀
Or nothing at all⠀
If it’s the last call⠀
And that’s all you’ve got


Solstice Song: 2020

December 22, 2020

Before there was light⠀
There was water⠀
And before there was life⠀
The water broke⠀
Staring up into that black ocean⠀
Eyes blinded by the falling seas⠀
On this winter’s solstice⠀
No stars tonight⠀
Just a child⠀
Floating weightless and free⠀
In a fish bowl for all to see⠀

Mary and Joseph⠀
They live down the street ⠀
We ate donuts on strings⠀
Tied to their tree⠀
Last Halloween⠀
But tonight is for listening⠀
Country music on the local radio⠀
A long line of cars⠀
With out of state plates⠀
And a man that spoke⠀
“Don’t be afraid”⠀

We walked a path ⠀
That led to the river⠀
Where the waters had broken⠀
The land in two⠀
We saw a man up ahead⠀
He stopped ⠀
And listened⠀
To the darkened forest⠀
A rustling noise⠀
And a woman’s voice⠀
Calling him to come in⠀
We never saw him again⠀

A grown man on a bike⠀
Rides down the boulevard⠀
A woman in tears walks the other way⠀
They cross paths without a word⠀
She keeps walking ⠀
Tears like the rain⠀
From the broken sky⠀
Her cries fill the void⠀
And break the awful silence⠀
He keeps peddling on⠀
Awkwardly⠀
And alone⠀
On his tandem bike built for two⠀

As lightning bolts fell from the sky⠀
Landing on the ground⠀
Unconvincingly⠀
Like actors in silver suits⠀
Performing in a school drama⠀
On daytime TV⠀
One of them curled up in agony⠀
Or defeat⠀
I never could tell⠀
He could barely speak⠀
His voice cracked so quietly⠀
You’d think he was about to cry⠀
“I’ve lost my thunder”⠀
And there was nothing more to say⠀

They say this is the longest night⠀
But I don’t think they were there⠀
When the heavens and earth aligned⠀
And the earth could not be satisfied⠀
Until heaven was laid to rest⠀
Within her darkened womb⠀
And the bride was left⠀
To walk the road⠀
Alone⠀

Before there was light⠀
There was water⠀
And before there was life⠀
The water broke⠀
Staring up into the darkness⠀
A face full of ocean⠀
On this winter’s solstice⠀
No stars tonight⠀
No great conjunction to be seen⠀
Except for the one⠀
Between your eyes⠀
And the eyes of a child⠀
If we can’t see the stars there⠀
How can we expect ⠀
To see them in the heavens?


My Father’s House

December 17, 2020

What do you see?⠀
A land taken by zeros?⠀
More zeros than you’ll ever know?⠀
By money changers⠀
That take all they want⠀
In exchange for their soul?⠀
If that’s all that you see⠀
You’ve only read headlines⠀
In the red letter press⠀
This isn’t your land⠀
This isn’t my land⠀
This is my father’s house⠀

Some small success⠀
Some chance at a dream⠀
A life built for two⠀
But what is life if not pain?⠀
A standalone shack⠀
In a narrow ravine⠀
All that’s left⠀
And it’s all that he needs⠀
But this isn’t his land⠀
And it sure isn’t ours⠀
This is my father’s house⠀

This land he travelled⠀
Paving the roads with his bike⠀
He’d led them all onward⠀
Riding further each day⠀
Riding for their lives⠀
Through sweat, tears, and smiles⠀
Roadside sandwich breaks⠀
He watched a wayward driver⠀
Drift out of her lane⠀
One from his flock⠀
Laid to rest that day⠀
It wasn’t her land⠀
And he wished it wasn’t his⠀
This is my father’s house⠀

A son that knows⠀
Too much about too many things⠀
Nothing to gain⠀
From his father’s love⠀
He’s moving fast⠀
And his dad moves too slow⠀
The son doesn’t see⠀
Just how much his father carries⠀
But one day he’ll know⠀
That his father’s failure ⠀
Was his greatest success⠀
And that he’s not the only one⠀
That was carried in those arms⠀
It’s not his land⠀
And it never will be⠀
This is my father’s house⠀

So get out of this house⠀
If you think you’re any better⠀
Get out if you think⠀
Your owed a damn thing⠀
Get out you bastards⠀
You never lived here⠀
You only came when invited⠀
To feast on his generosity⠀
There’s no gates of gold⠀
It’s worn down and rusty⠀
Broken and dirty⠀
But we’ve kept it clean⠀
It will never be your land⠀
It will always be his⠀
This is my father’s house⠀


Her Name was California

December 11, 2020

He’d laugh this little howling cackle that pulled you into his slipstream as you made your way along the path, down the makeshift rope, repelling into the cove below that you’d never seen breaking before and now was suddenly cracking it’s sonic water booms on the reef below. Everything made him laugh. And almost everything he laughed at led you to math, calculating the odds of survival. ⠀

Some friendships are like this.⠀

He led me to a burning mountain. He led me to wildcats prowling in broad daylight. He led me to a cabin where I spent long evenings watching dragons in the heavens war against the winds on earth below while Jack Kerouac sat on the recliner by the lampstand fearing the dark. He led me to the psychic who knew more of me than I even know and probably still has all the secrets she summoned from between my words dried out and saved in glass jars for seasoning on vegan tacos for the next visitor she entertains. He led me to the Captain who loved her and didn’t speak much because she already knew his words anyway. He led me to high ridges with views in all directions. He led me to a trailer where a Stranger poured me a glass of bourbon and shared Her cigarettes in the dark. ⠀

Her name was California.⠀

She led me to fields of poppies glowing red with love for all and none. She led me to highways that carry hearts to heaven and hell. She led me to destinations even deeper still. She led me to kelp beds anchored to the skulls of conquered peoples. She led me to endless lines of barbed wire fences that scraped into my flesh and instead of bleeding the wounds poured out cheap wine and could only be bandaged with brown paper sacks. She led me to the top of the steeple of the first mission on her skin where the air was as thin as the plot in these verses and where the smoke has been rising since it was burned to the ground in 1775. She led me to her far north where the trees were once taller than any lie ever told. She led me to a path on the edge of a cliff following a friend as he laughed his way down the mountain. ⠀

And she led me home.


Medicine Cabinet

December 9, 2020

When the music ends⠀
The lights go on⠀
And everyone slowly leaves⠀
Yet somehow the room is strangely dim⠀
Somehow darker than it was before⠀
When the house lights were off⠀
And the music filled the spaces⠀
Between the empty glasses ⠀
That are now also slowly leaving⠀
White rings on the wood tables⠀
As we hum to ourselves ⠀
And dissolve back into the cold night air⠀
And warm beds that await⠀

If we’d known then⠀
That the music would end in this way⠀
We’d have stayed all night long⠀
Played all night long⠀
And drank the bar dry⠀
Letting the jazz⠀
Lead the revolution⠀
Until they came with lights blazing⠀
To pry the saxophones and drumsticks⠀
From our cold dead hands⠀
To confiscate the pianos⠀
And abolish this beautiful night⠀

So now we sit in the quiet darkness⠀
Of a bright winter day⠀
Humming sad tunes to ourselves⠀
That we’ll later play softly ⠀
On our contraband pianos⠀
Sitting in our empty rooms⠀
With the lights off⠀
Because everyone knows⠀
The piano is just a medicine cabinet⠀
And the music will never end


Anaheim Bay

December 9, 2020

I was born in Anaheim⠀
Happiest place on earth⠀
I once got stuck in Hell there⠀
When Mr. Toad’s wild road broke down⠀
And I swear on my life⠀
I have seen with my own eyes⠀
Snow White⠀
Sucking on a cigarette⠀
We weren’t supposed to see that⠀
And we weren’t’ supposed to be here either⠀
In Anaheim Bay ⠀

But here we were⠀
After crawling under the fence⠀
While a large swell was pushing small waves into this bay⠀
An unusual event⠀
The warships weren’t fazed⠀
Some other kids were already here⠀
Further up along the shore⠀
They must have snuck in somewhere else⠀
They had boogie boards⠀
Playing in the shorebreak⠀
One of them ate sand⠀
The other rode 50 yards along the shore⠀
On a zipper of a wave⠀
Laughing⠀
But also hiding⠀
In Anaheim Bay⠀

We watched for awhile⠀
And we were about to leave⠀
When we saw a surge pushing down the jetty⠀
I ran to it⠀
On water⠀
And rode barefoot⠀
And I mean just barefoot⠀
No board at all⠀
Banking into it with speed⠀
Knees absorbing the chatter⠀
The rebound wave off the jetty approached⠀
Up and over the section⠀
Carving back to the whitewater⠀
A cross between barefoot skiing⠀
And roller skating⠀
Until the wave flattened into deep water⠀
In Anaheim Bay⠀

My brother yelled⠀
The kids were waving frantically⠀
The cameras on the cell tower turned⠀
And focused⠀
Someone heard a buzzing noise⠀
I wasn’t too concerned⠀
Until they showed me notebooks⠀
Full of polaroid snapshots⠀
Of what They did⠀
To the Italian ⠀
That snuck in here last week⠀
You don’t want to know⠀
Apparently they don’t mess around⠀
In Anaheim Bay⠀

I’ve heard They’ll track you down⠀
Even weeks later⠀
When you don’t expect it⠀
When you’re alone⠀
They’ll surround you⠀
Pound you⠀
Till your face looks like a salami⠀
(I saw the photos)⠀
Above, beside, below⠀
It’s hard to say where They stand⠀
With the law⠀
Perhaps They are the law⠀
And They’ll do what they must⠀
To make you regret⠀
Your trespass⠀
Into Anaheim Bay⠀

But I haven’t seen Them yet⠀
It’s been awhile⠀
And every time I think of Them⠀
I also think of that strange little wave⠀
And the feeling of the cool water⠀
Slapping my bare feet⠀
At speed⠀
Beneath the shadow⠀
Of Their warships⠀
In Anaheim Bay⠀


17 Mile Ghosts

December 4, 2020

Pay the toll⠀
A piece of your soul⠀
And leave it there as a sign⠀
A cardboard box⠀
Full of rocks and socks⠀
From which we will rise in their mind⠀
Extrapolated⠀
And captivated⠀
Forever to walk this lonely line⠀
They’ll see us standing⠀
Calling out in the night⠀
With bare feet wet from the brine⠀
They’ll slow to a stop⠀
They’ll wonder how⠀
The water and ethers combined⠀
If they listen we’ll say⠀
It was because we payed⠀
The guard at the gate to get by⠀

So heed my words⠀
And stare straight ahead⠀
For it’s from this earth you were made⠀
You belong on it truly⠀
Its dirt is your body⠀
And these guards are made only of shade⠀

You’re a plumber⠀
A builder or an electrician⠀
Whatever it takes to convince them⠀
To let you pass⠀
Without taking your cash⠀
It’s not the money it’s the darkness it gets them⠀
So give them only a nod⠀
A two finger wave⠀
And a subtle but sure acceleration ⠀
With confidence high⠀
Drive right by⠀
Subterfuge will be your declaration ⠀
That you belong in their night⠀
But this day is all yours⠀
Like Dali, and Griffin, and Vincent⠀
Masters of sight⠀
Pursuing their vision⠀
Trespassing all baseless tradition⠀
Their work lives on⠀
But they are gone⠀
At rest and free from earth’s friction⠀

So when the future arrives⠀
And they ask our ghosts why⠀
We’re still here and still walking this path⠀
We’ll tell them plain⠀
We believed the guards⠀
Who said we’d have to pay to get past⠀

So stay free in the sun⠀
And when the day is done⠀
Just move right along down the line⠀
And pay not a dime⠀
To the liars in wait⠀
Who seek to trap you in debt for all time⠀


The Morning I Was Created

December 1, 2020

On the morning I was created⠀
I crawled out the back of the old yellow van⠀
Wide-eyed and blinking⠀
Wondering where my brother had ran?⠀

He ran to the sea⠀
He ran for his life⠀

Past the razor’s edge of the earth⠀
Into the mist where the horizon is long⠀
Where the black dots line up and wait⠀
Is that really where my brother had gone?⠀

He ran to the sea⠀
He ran for his life⠀

I unearth sandwiches buried in sand⠀
Sealed plastic baggies with PB and J’s⠀
Perfect gives from Mother Earth⠀
So why did my brother rush into the haze?⠀

He ran to the sea⠀
He ran for his life⠀

Looking around I see girls on the move⠀
Their bikinis and bodies these young eyes amazed⠀
What were we talking about?⠀
And how did my brother get past them unfazed?⠀

He ran to the sea⠀
He ran for his life⠀

He told me to join him before he ran off⠀
I was unsure of myself and scared⠀
Of the ocean and its blackened depths⠀
What made my brother think I would dare?⠀

To run to the sea⠀
To run for my life⠀

To follow him out and beyond⠀
To the great sea where its rhythms unfurled⠀
To leave the logic of land for the great “into-ocean”⠀
But he was my brother and did he not rule the world?⠀

So I ran to the sea ⠀
And I ran for my life⠀

Bewildered by movements unknown⠀
I tried and I tried and I tried and I tried⠀
I couldn’t get past these white rolling waters⠀
“Where are you, brother” I cried⠀

Scratching the sea⠀
And scratching for life⠀

“Turn and go” was all that I heard⠀
So I turned and I goed with all that I could ⠀
That little white wave pushed me along⠀
And my brother watched as I stood⠀

On the sea⠀
And on my life⠀

I had never felt so alive⠀
As when the white foam gave way⠀
To smooth water before it⠀
I was made a brother that day⠀

We ran to the sea⠀
We ran for our lives⠀

And to this day we still run⠀
But I’ll always remember just how elated⠀
I was to join my brother ⠀
Back on that morning when I was created


Kindling

November 30, 2020

Some things are easy to overlook⠀
Others take a little more work⠀
Natural beauty⠀
Simple love⠀
So often get left where they lie⠀
While the headlines print bold⠀
On our aching flesh⠀
These haunts where our demons lurk⠀

Crashing stocks upon the shore⠀
Homes condemned to their blight⠀
The need to eat⠀
A will to survive⠀
We’ll do what we must to get by⠀
Sell our daylight for leprechaun’s gold⠀
That will vanish⠀
In the dark of the night⠀

We wake to a frozen sunrise⠀
Empty and cold and ruined⠀
It’s easily missed⠀
But always there⠀
The lift in our hearts at the sight⠀
Of these earthen glories before us⠀
By which we know⠀
That we are nowhere near the end⠀

So we’ll use our bodies for kindling⠀
To build this blaze bright and warm⠀
Our skin burns hot⠀
This smoky font⠀
A poetry of ash in the wind⠀
As we soak in the beauty around us⠀
We are fire⠀
Just in a different form⠀

Some things are hard to overlook⠀
Others take a little less effort⠀
The pressing needs⠀
The desperate pain⠀
Can grow louder till all else recedes⠀
While the light within and around us⠀
Steadily burns and waits⠀
To bring joy in the midst of the hurt ⠀


The Ocean is Just Leftovers

November 18, 2020

It’s true, she loves the river⠀
And it’s steady constant force⠀
The ocean is just leftovers⠀
And she prefers the source⠀

She leads me through the briars⠀
Stinging nettle, oak, and sorrow⠀
Some pain for the present moment⠀
But the rest we’ll save for tomorrow⠀

The path is narrow and overgrown⠀
If it’s even a path at all⠀
Two roads diverged and we took neither⠀
She heard the river’s call⠀

Down the bank we scrambled and slid⠀
Grasping roots along the way⠀
These roots they hold back mountains⠀
They can hold us here today⠀

Scraped and bruised and winded⠀
At last we find relief⠀
We swim and laugh and stub our toes⠀
Even blessings hold some grief⠀

My mind drifts off to the coast and its songs⠀
Why oh why am I here⠀
I followed her and would do it again⠀
But we should have brought more beer⠀

How we ended up together⠀
A mystery untold⠀
I am a pool of simple pleasures⠀
She is the mountain, faithful and bold⠀

It’s true, she loves the river⠀
And it’s steady constant force⠀
The ocean is just leftovers⠀
And she prefers the source


Cloud Theory: 1969



November 1, 2020

Woven Recollections from the Return of One of Italy's First Surfers, 50 Years Later


I’ve long thought it would be interesting to explore combinations of longer format story-telling with my art in a more intentional way. Back in early 2019 an opportunity finally presented itself. The only problem was that it would require flying to Italy. If you know me, you know I’m not a traveler. Not like that. I can drive all night and all day on Highway One, but never make it to Italy. This rattled my program. I’d have to finally break down and get a passport.⠀ So in late 2019 I traveled to Italy with a surfer I'd only known long enough to drink two beers with. It was his first trip back to Gaeta, Italy, since 1969, and what might prove to be his final opportunity to see the country he fell in love with all those years ago. The details of his story emerged throughout the trip as we navigated the unfamiliar waters of the Mediterranean hunting for waves, and navigated the narrow streets and alleys hunting for cannelloni (a pasta dish that was common in Gaeta in 1969). We were mostly unsuccessful on both accounts. But this was more than just a trip to Italy, it became clear to me that this was a story that was meant for me to tell.⠀ Along the way I got to know this man well. During his time in the US Navy, as a lonely surfer peacefully stationed here during the Vietnam War, he was unknowingly among the first to bring a surfboard to Italy and surf upright along its shores. He wasn’t the first to surf there, and doesn’t think of himself that way, although his time surfing there pre-dates all the recorded history of surfing in Italy that I’ve come across. ⠀ But there's a lot more to all of us than any three-paragraph introduction can convey. This is my written portrait of possibly the first known surfer in Italy, and how our paths briefly merged together just before the world fell apart in 2020. This is the testimony of a life fully lived and a man facing his own twilight gracefully. This is a travel tale of two clueless Americans. This is an homage to the Italian spirit.⠀ This is the story of my friend, Dwight Harrington...  
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