The Light In Our Eyes

One fine morning we arose
And somehow cooked
Our morning brews
Seventeen machines
From which we could choose
And some of them
Are pretty good

We stare into ceramic darkness
That floods our morning with life
Egad, what’s this?
The sun that shines
In our eyes while we’re trying to write

Piercing light whom I address
One little request if I may
Just please step aside
And shine from behind
My eyes weren’t yet ready to play
My coffee’s not drank
My mind like a bank
Robbed at the break of day
But take it slow if you will
And I’ll dip this quill
And jot down whatever you say

And though I heard every last word
It now seems rather absurd
Like a worm that swallows the bird
And the details may be a bit blurred
But it went something like this
Rest assured…

The moon is in tears
Out under the pier
For her lover’s been stabbed by the light
She’s dressed to the nines
And dark eye shadow lines
Streak her cheeks as the night slowly dies

The clouds collapsed
When lighting made cracks
In the urn in which the wind churned
Out the rain poured
Through cracks in the floor
And the fire no longer burned

Winter’s love has gone cold
There’s nothing left here to hold
You walk in and she just looks away
But the note on the pillow
And her suitcase of snow
Make it clear that she’s leaving today

This season of strife
This fight for your life
This darkness that conquered the world
It’s converted to digits
There’s no way to bridge it
In a blaze of light the plug will be pulled

The night and the storm
This season forlorn
You know them well and you hold them so tight
You let them define you
But let me remind you
The warmth of the sun still brings you delight
And when all things end
I’ll still call you my friend
I am here and I am the light

Again

1981  
She sat in her chair   
Laughing  
(with concern)  
When I put 27 grapes in my mouth at once  
And got one stuck up my nose  
Again  
  
1982  
She sat in her chair   
Sleeping  
(blissfully unaware)  
While I dug a hole  
All the way to China  
Again  
  
1983  
She sat in her chair  
Pondering  
(with me)  
When I sat beside her and asked  
Why the sand was full of plastic  
Again  
  
1984  
She sat in her chair   
Reading  
(romance novels)  
When I was hit in the head  
By a stray surfboard  
Again  
  
1985  
She jumped out of her chair  
Yelling  
(things I can’t repeat)  
At the seagull thiefs   
Who came for our lunches  
Again  
  
1986  
She sat on her boogie board  
Grinning  
(behind dark sunglasses)  
Like the coolest kid on the beach  
After riding the wave of her life  
Again  
  
2021  
She sat in her chair alone
Leaving  
(this world behind)  
And I wish we could be  
Back on this beach
Again  

Parts and Pieces

I forged you in an open field
On a bright and cloudless day
Rare elements and minerals
Mixed within the clay
You took the form my eyes beheld
And there was no other way
I gave to you part of myself
And let the chips fall where they may
I gave you more and more and more
I gave and then I gave

And now parts of me are missing
I’m losing pieces everyday
I’m not the same as I ever was
And I don’t know what to say

You stuck your boot into the mud
Your hand into the brine
You painted me as though I mattered
As though parts of you were mine
And now I’ll go into the world
Forgotten by design
Set aside where few will see
Although to them I just may shine
But it’s not me that draws them in
It’s the parts of you they find

And now parts of you are with me
I’m finding more everyday
I’m not the same as I ever was
And I don’t know what to say

War and Peace

Plein air painting of the Humboldt county coast near Trinidad, California

Conflict is inevitable  
The Sea sends its navy   
To war against the Land  
The Fog lays an ambush   
Against the Bluer Skies   
The Mud launches a ground assault   
Against Your Soggy Boots  
Warring factions lie in wait   
Around every bend   
At the end of this trail   
Named for a creek   
Whose Latin tributaries can be traced   
Through blood red thickets  
Back to the god of war   
Whose thirst for conflict   
Is only surpassed   
By the mutiny of his forces   
Aligning with Dappled Light   
and Babbling Creek   
And Chirping Birds  
and Buzzing Bees   
And the Unhurried Lover  
In Your Arms  
Conspiring   
To bring  
Peace

Proof of Concept

Plein air painting by Matt Beard of the California coast just north of Point Conception

Painted this one en route to a lighthouse at California’s greatest turning point. I was originally going to paint the beach park about 5 miles north of this point, just around that first bend in the distance of this painting. After walking about 30 feet north to seek a nearby view, not even getting out of the parking lot, I turned on a whim and walked south. For 5 miles. I did some things wrong. I didn’t check the tide. I didn’t consult a map. I didn’t bring any food. All I remember is reading that you could walk to the lighthouse now, so off I went.

When I reached the 5 mile mark I couldn’t go any further on the beach, blocked by the massive cliffs jutting right into the water. No lighthouse in sight, I figured I would just follow the road that came down the ravine here. Lots of no trespassing signs, I mean, they really wanted to let people know, but I recognized the name on the sign as the previous landowners and so I thought that surely these must be out of date. When I got up on the bluff I could make out the lighthouse in the distance a little less than a mile away.

I could also make out a white truck. It’s always a white truck. I don’t know why. It just is.

Well, I figured the worst that might happen is that I’d be asked to leave. I figured I could talk my way out of any situation that arose, but I wasn’t sure I’d be able to talk my way into permission to pass if that’s what it came to. So after getting this far without thinking things through, I did the first smart thing I’d done all day. I retreated about 30 feet below the crest of the hill, out of sight from whoever was rolling around in that white truck, and painted this scene looking back over the coast I’d just traversed. This way even if I got kicked out of here on my way to ascend the knoll where the lighthouse was, I’d at least go home with this painting done. Proof of Concept, if you will.

My Father’s Song

There’s a song my father used to sing
Not really a song at all
Just a rhythm of syllables
Rising and falling
With every step
And a pause with
Every breath

There were never any words
Neither for the song itself
Nor for the way
It brings me home

It would often be sung
Out in the wilderness
Surrounded by wonders
Sometimes emerging
From an ice cold pool
Formed by a beaver dam
In the high mountains

Or sometimes just in the kitchen
After a phone call
Grandpa has gone home
And our hearts fell
Like fresh-washed plates
And broke

Today I heard the song again
It came from my own heart
Sung quietly over my kids
On a forest path
As they took my hand
And said
Papa we’ll show you
The waterfall
And the ice cold pool

And along that path
The song walked along
Never really beginning
And never really ending
Just filling the air
Like the call of birds
Like the rush of the creek
Like my Father’s song

The Loneliness of the Long Distance Rose Bush

Maybe it’s a self portrait.

This was painted at the Humboldt Botanical Gardens where there must have been at least 20 other artists working on the grounds. Maybe more. Beautiful people, hearts of gold, paintings of delightful beauty in various states of refinement.

I show up late, wander the entire garden, perpetually unsatisfied with the beauty before me. Feeling woefully inadequate to convey anything true or special about the infinite miracles of life all around me.

A sign beside the trail reads “Naughty children must pull weeds”.

I consider pulling weeds instead of painting, but they asked me to come and paint, not wallow in self pity, so in a flash of brilliance I realized that even though I deserved to just sit down and yank weeds, by not doing so and painting instead I would then for once be doing as I was told and could avoid botanical justice… for at least just this afternoon.

And the next thing I knew I found this lonely little rose bush standing apart from the other plants. A head full of beauty and a body full of thorns. This is my people.

Say Nothing

The land that lay directly behind me as I painted this distant view from one of California’s more central coasts belongs to none other than Neil Young, and having learned this I couldn't help but recall him singing the old Woody Guthrie tune This Land is Your Land:

As I was walkin', I saw a sign there
And on the sign it said "no trespassing"
But on the other side, it didn't say nothin'
That side was made for you and me

I’d be lying if I said this didn’t have me tempted to go walking right off this ridge for an afternoon stroll through his private ranch. Just for the poetry of it. But I'm pretty sure it was just a song he was singing from a stage and not exactly his personal property trespassing policy, and if I'd made it very far at all nobody but me alone would have thought it was all that witty to cite that song as my justification.

And besides, I was here with a specific purpose. I was brought up to this lonely ridge to paint the sweeping view and it was far more beautiful looking toward the coast than back over at Neil’s bald hills anyway.

I had learned it was Neil Young's property from the guy who drove me up and dropped me off up here. He's spent a lot of time on this property and knows everyone pretty well.

So of course he knows the caretaker of the cattle on this ranch, the same cattle that we had to slowly navigate through just after the second gate, and he knows that this caretaker is a real... let's just say handful. On our way down one hill, we see the cattleman coming up the dirt road in a cloud of anger and we pull aside to let him pass and he's yelling and spitting as us, red in the face, because a water truck is coming up behind him and I guess he's afraid we'll just plow into it blindly instead of pulling over like we had just done for him and he's also yelling about some loose cattle, and I'm thinking, yeah they're all pretty loose, just hanging around. Who ties up their cattle anyway? I’m no cowboy so I know that any thoughts that run through my head about cattle management are completely bunk, so I keep my mouth shut, but in all seriousness we closed every gate behind us as we went along, which is probably exactly what he thinks we didn’t do. Our Ford 350 was the same plain silver as his but in his mind I think he might have seen ours as covered with sloppy hand painted rainbows and driven by the hippies he’s been angry about for 50 years now, and everyone knows that hippies never close damn the gates. But that’s all beside the point since we had permission from the ranch owner to carry out this art mission anyway. Still it seems that everything makes this guy madder so we say nothing and wait for the water truck to pass.

We sat there for a long time. Long enough to hear my driver's story about the time he carried an 8 foot life-size crucifix up the hill in the spring mud when his truck wouldn't go any further and dug a hole on the peak and stood the crucifix there overlooking the ranch for the owners to find on their own sweet time.

He was put up to that task by some friends that knew the owners were grossed out by the goriness of the catholic crucifix. When the owners finally found it and were sufficiently grossed out by it, they had him carry the cross back down the hill and put it under the covers in the bed of some friends who were out of town whom they suspected of the original prank, now repranking the prank if you will.

And this poor guy gets stuck carrying the crucifix everywhere he goes. Not today, though, today it's just me in the truck, and even if I carry the cross and believe in Christ's sacrifice in my heart, I am not some grossly carved replica of the bloody event itself. I am just a painter driven by love... and right now by this crazy cross-carrying pickup driver that is driving just fine all over these beautiful hills, thank you very much red-faced cattle man.

We wonder how long this water truck will take and start to wonder if it could be a real long time so we drive slowly down the road and sure enough after one bend there she comes around the corner and we pull off nice and easy and let her pass. Smiles and waves. All nice and easy like it ought to be on the back hills of a cattle ranch near sunset. Order restored.

But now my cross-carrying driver is out of smokes and says he and the others are gonna need more tonight, so off we go to the market down the hill. Except the market is a bar, with a band playing a Neil Young tune out front and my friend has left his wallet and shoes behind on the ranch and since it's just me and him in the truck we hold an election and I am nominated to go in and buy the smokes. Since I have shoes. And a wallet.

The ranch and hills and cattle we’d just left behind to go get these cigarettes was currently hosting live bands all day in the valley beneath the ridge where I painted. Did I mention that part yet? I was here for a music festival I've been an artful part of for a few years running. I couldn't hear a single bit of music from up the hill where I painted this though, so this market/bar music was ironically the best bit of live music I'd heard all day as I walked in the bar and right back out again since they didn't sell any tobacco at all. Good for them. But bad for us because that meant my new pal would need to drive us all the way to the next town up the country road for his smokes.

We rolled through a valley where the old Hippies went to become new Hippies. Nobody is a real Hippy anymore, you know that, right? Everywhere I go now, Hippy is a dirty word, or a pedestal on which lives some Greco-American nature god who can do no wrong but doesn't actually exist beside us in flesh and blood. It's like calling someone a Christian. You know real Christians this and real Hippies that. I love Christian Hippies. I know a guy whose whole deal is making Christian Hippy tie-dye t-shirts and quotes Jerry Garcia lyrics as cryptic gospel passages all day long. He'd love this valley. Full of old broken down vans that the Merry Pranksters once called their homes, back when there were real Hippies and real Christians all over the place seeking truth like it mattered.

Speaking of truth, my guide wasn't sure of the truth of this but he's heard that the last grizzly bear in California was killed in this valley. We both sorta wonder quietly at that and mumble a few things. But mostly because this road just kept going and going. It got pretty quiet for a while and we finally arrive at a country market, where they do indeed sell cigarettes and so I return victorious this time and even though it's only two packs my driver pal seems satisfied as we contemplate checking out the old bar next door. Says he knows a lot of the regulars there. I'm thinking of the music festival that I'm missing right now, but I say nothing, because this is where I am here and now. And If I'm about to roll into this bar with this guy then I want to be all in cause I'm just along for life’s ride and it's out of my hands anyway and did I mention I'd been up since 4 in the morning?

We crank our necks in deep concentration and consideration as we turn around and my driver pal, fresh-lit cigarette dangling, steps on the gas and decisively leaves the market and bar behind us and we continue discussing the merits of a good drinking hole where people like to be. I guess we were looking for people we know, some excuse to derail our night. Stranger things have happened but not here and not now. We drive back uneventfully and return the truck. It wasn't ours. We borrowed it from one of the musicians who's helped organize the music festival for the last fifteen years. Yes, the same music festival that I've been very unintentionally avoiding all day. He told me during a sound check that morning that I could borrow the truck to drive up to the ridge myself, but I would've surely ended up lost in the hills with the loose cattle so I was glad my cross-carrying driver overheard the conversation and stepped up to the plate.

Like I said earlier, the driver knows everyone. He and the musician go way back also. He's helped tear this old truck apart and rebuild it with the musician multiple times. The musician is a genius electrical engineer and he was married last year in a small ceremony up on the hill where the crucifix once stood. God bless their marriage. His wife can sing and play Led Zeppelin's Ramble On like nobody's business, so they'll always have that going for them. When I first became part of this festival years ago, I heard these two playing music by the fireside after the bands were done on the main stage, and a little part of my soul ascended with the smoke and melodies into the night sky and I will forever be looking for it whenever there is fire and music near each other. This could be taken wrongly I suppose but I think I just see these two beautiful people as fire and music personified and I love them both even though I hardly know either of them and I wish the best for their lives together.

Even now the night is coming on and though my work on the ridge is done, and this painting is stowed safely in my van and I’m no longer avoiding the live music here in the valley, I am avoiding my third peanut butter and jelly sandwich of the day and instead eating two slabs of steak from a friends cooler while the final band takes the stage in a whirl of light and intentional discomfort. A man born of Irish and African roots. Illegal love. And with the voice of a hundred street preachers and a band to back him up that makes music entirely out of electric velvet.

Soon enough this Prince from Oakland settles down and the usual crew of musicians makes their way to the firepit and continues into the night. There's a lot of folks lingering to listen and me and my buddy and his lady sneak under a hammock and lay in the cool evening grass to get a glimpse and hear the music continue on its own softer pace. And guess who is there?

That's right, my driver pal is there and belting out some of the sweetest lines and tunes you'll ever hear including one about his grandma's passing that had me holding back tears. She was a real Christian, and maybe a real hippy too. Not sure, but I know she prayed for him, that's for sure.

Before I know it the three of us in the grass have moved on up to the hammock together, just enjoying music and a bit of warmth like the cattle are probably doing up on the hill right now, sans the music. I hope the loose cattle have returned to the warmth of the others by now. It's cold out here. Thankfully when my friends retired for the night they left me their blanket and I went horizontal proper on that hammock and fell asleep to the best sounds on earth. I hope my snoring at least kept the beat for the music as it rambled on until morning.

And all this madness and love is why I'm here and why this painting happened at all. The folks who own the ranch where this festival has happened for the last 15 years are selling the property and all the musicians rallied and hired me to come paint the scene as a gift to the ranch owners who have opened their land to the music, and the crazy nuts that play it, for all these years.

It was an honor and a joy and I don't know what else to say.

So I'll say nothing more.

Pale Blue Eyes

It’s true, that fog just lingered on, and on. Those pale blue eyes…

I saw a burst of blue sky while rounding a bend and thought for sure the fog was lifting. That was my mistake- thinking anything was sure about fog. I should know better. And I generally do, but the scene was truly beautiful so I thought I’d risk it for the biscuit and I barely got a sketch in before the fog went all gray and dark. I could still make out the foreground ok, but mostly just had to finish the piece on that first impression of a memory. All good. It can be somewhat liberating to chase a memory because it’s more of a feeling than a literal thing to look at and compare to. When it works it’s a lot of fun.

Something Not So Easy

If the previous painting of the day was titled Something Easy, well this would be the opposite of that. This place is hard. In many ways. And so was this painting. For a long few minutes, I didn’t think it was ever going to work to get this down the beach perspective. But what a dynamic place to hang and paint on a cool summer evening, I left the beach buzzing.