02/17/2015
With a bucket full of mackerel, he explained why the water was a fancy shade of green.
The fancy cats that live in the rocks were only green with envy.
A different way to enjoy my work, through the written words, notes, and poems that pour out alongside the artwork, and sometimes all on their own…
02/17/2015
With a bucket full of mackerel, he explained why the water was a fancy shade of green.
The fancy cats that live in the rocks were only green with envy.
02/16/2015
You know those painters you see outside on sunny days with their fancy umbrellas, leisurely painting away on the manicured park lawn? I don’t know if they’ve spent much
time in the coastal zone.
I recently got one of those fancy umbrellas for myself. Seemed like a great idea at the time. I even got one that was silver on top to reflect heat and black underneath to
reduce glare, and with about 87 different clamp options to attach to nearly anything. It really is a marvel of modern engineering.
And it’s basically worthless. I used it as I was painting this one on a beautiful windless day until what I’d call a very light breeze finally came up, not much, but magnified by the cliff-face beneath me, and that thing warped itself into all manners of hideous misshapes and bending lines, an origami of umbrellic obscenities, threatening to topple my whole easel and send it down the cliff. I will not be using it again.
On the brighter side, I really like how this turned out and solved a nagging visual problem, using simple horizontal strokes to define bending lines of swell.
Now that is something I will use again.
-Entry on February 16, 2015
02/15/2015
We’ve spent long days here
North of the river
We’ve spent
Our last two dimes
On
Heaven
And waffles
And a good night’s sleep
Sheltered
From the falling snow
Until the storm blew over
And now we ourselves
Are spent
Worn out
Like the two
Ragged
Dog blankets
In the back of the van
One more look at the ocean
Before we head home
And two things
Become clear
We’re not going home tonight
And
We’re gonna smell like dog
In the morning
10/30/2014
So I think I’m going to just start enjoying water more as I do these live art paintings. This one I just relaxed and felt like painting a mix of explosive fire and water. It’s not exactly what I had in mind, but when completing a large painting in just two and a half hours, it rarely is. What it was though, was super fun. I think just zoning out and painting water is where it’s at for me right now, and I’m looking forward to more.
October 22, 2014
10/22/2014
This was the first time I was given access to this deck on the end of this scientific research pier. I remember being so torn about which view to paint, north or south, that I think I just blew a fuse and split it down the middle with an easterly approach. I figured since it was so unusual to even be there at all, maybe this unusual perspective made the most sense.
Big thanks to my pal @misfitgallerylj for making this one possible as part of my first sold out La Jolla plein air tour.
There’s someone else to thank as well, but names should probably not be mentioned at this point. You know who you are. And you rock. Thank you.
09/20/2014
So… sometimes this happens. When I paint at live events, half the fun is not knowing exactly what I’m going to paint. Even as I’m loading my palette with paint I’m usually still wondering what’s going to happen. At RampArt Skatepark last weekend, this is what happened. Not sure what’s going on here, but one thing led to another and another and another and I guess that’s just how it goes.
The story of Icarus is pretty cool, a warning against pride, but while we mostly seem to focus on that aspect of the tale, we often forget his father’s warning wasn’t just about flying too high, but also too low. Get up off the ground and quit slacking, yeah? Good call. The flying fish has it wired I reckon.
Anyway, I’m sure anyone could read all sorts of other stuff into this, and so could I, but art is more poetry than essay, so I won’t go into all that.
Anyway, hope you dig this little unexpected homage to the master of this genre, Rick Griffin himself. Enjoy!
09/07/2014
It may look like a wave, but if you rotate this piece counter-clockwise it represents the real time wind conditions off the Pacific coast at the time the painting was being created. Check out earth.nullschool.net if you want to see what I’m talking about.
August 20, 2014
I painted this one years ago
From a weathered photograph
It was a Christmas gift
From a daughter
To her father
She was a young child
When the photo was taken
From the Old Trinidad Pier
Of her dad and his crew
On his boat down below
She said they ate good
Really, really good that year
I imagined them eating
Juicy butter-dripping crab
For every meal
She just laughed
After the lean years
Of cornbread and beans
This was the year
Their ship finally came in
They didn’t eat crab
They ate whatever they wanted
Wherever they wanted
And you might be thinking
Of a working-class family
That just came into extra money
And you might not be wrong
But I’ll ask you right now
To think of this young child
Enjoying her family’s joy
And remembering it
After all these years
After the photo is faded
Tattered
Torn around the edges
Asking an artist
To give that sweet memory
Back to her father
Now
Tell me again
When did their ship come in?
06/11/2014
Painted on site with the rising tide sending large amounts of saltwater all over my back and palette as I worked. There may not be blood, sweat, or tears in this one, but there is certainly a good dose of Pacific Ocean saltwater, and that’s almost the same thing from a salinity perspective…
June 1, 2014
Rising up to heights intolerable
Between moments of relief
All too brief
Just when the final surge washes through
Rearranging the ground floor
Soaking the upholstery
With salt driven from the earth’s rotation
Glass breaking
Walls shaking
The record collection scattered like shells on the shore
Just when it’s too much to bear
As violently as it moved
Just as quickly it is over
And there is no sound to be heard
Above the chirping of birds
Except the voice of a helpless infants cry
Where once there was nothing but endless sky
June 1, 2014
As joy turns to sorrow
And victory defeat
The batteries drained
The battering remains
A constant beat
Each pulse an increase of primordial pain
The hope of expectancy surrendered
Like broken water from a cloudburst in a heavy rain
Something gone wrong
The absence of light
This can’t be the way
That all is set right
The giver of life drained of the gift
The spark itself turned inside
The fire within is within another
A universe within this imploding star
Wrought in the worst of collapsing rhapsody
Written in verse of relapsing tragedy
June 1, 2014
The spin of the sphere
Is the beginning of fear
And where it leads none can follow
It’s tilted gait
Refuses to wait
As yesterday wars with tomorrow
And the lengthening days
The upper hand gains
And the bluebirds await the arrival
Of the victor’s scorn
Trampling the snowmelt
Of their opponent
Who retreats to the high mountains
Blocking lifeblood supply routes
And starving the proud of
Any further harvest celebration
Until the conquerors meakly succomb
To the darkest deprivation
But their season of starvation is also soon to pass
And the reason of the star’s ovation will not last
June 1, 2014
The lunar eclipse breathes its deepest shade of red
As the waters of earth rise up to meet the dying
A global procession
Where every drop offers
An honest confession
Of unending love
And weeps for the loss of their beloved’s white-blue light
These fluid mourning masses
Gather at the funeral parlor door
Awaiting a turn to glimpse
Her pale face once more
Gathered round in silence
Then a wondrous pause
Then thunderous applause
And there’s been no greater joy since
Her shadow only just sleeping
Earth’s shadow not yet reaping
June 1, 2014
Inhalation of numbers
A suspended matrix of love and tears
Sweat and pain
No solution for this equation
Just a problem of oxygen suspended in blood
Arriving from beyond the sea
To bring life however brief it may be
But with it arises
The conflict inside us
Carried by wind
Born of dust
Made of earth
Fragile and flammable
Unquenched and unbirthed
Ubiquitous by nature
The post-war riot an ethereal vibration
With no escape just escalation
No escape until exhalation
June 1, 2014
As the plot thickens
The pulse quickens
Signals the release of adrenaline
The fight or flight
The might makes right
At heart it’s all just light
Emanating through nervous roots
Planted deep in the sinews
It’s neither sin nor is it news
Riding shotgun in the cardiac
Pumping beats to keep the blood moving
Regulating the pace of exchange
The old for new
The tired air for the thought of life
Some peace of mind for another
With roots of another kind
June 1, 2014
Pulsating depths collide with rock in steady rhythm
Rocksteady rhythms
Seafoam drifts that move in procession
Driven by the upwelling of time
Etching on the surface a crooked white line
A visible record of the upheaval
The sheet music of endless revolutions
Each blast is a rebellion
In search of freedom like water
Moving to this inexplicable beat
Dancing with the reckless abandon of oceans unknown
It’s the song we we fought and died for
We were bought and paid for
We were wrought and made for
June 1, 2014
Molten harmonics signal the release of tension
The groaning of tectonic riffs
Played with the volume cranked to eleven
The subterranean chords of metal and rock circle their prey
Descending through chasms
Black air dripping with the sweat of earth
Waiting to shake its foundations
And strike
Hunting reverb for survival
And it hides by the deepest frequencies
Amplified by the frequently deepest seas
June 1, 2014
Dancing at will upon the innumerous grains
The finite brains of particulate philosophers
Who cannot through their centrifuges
Do anything other than remain on it’s surface
Grasping at photons
Missing the point
Marching lockstep in lines around the corner
Adrift in a city of relapses
Lost in a sea of synapses
Mentally sequencing the circuitry required
To awaken the silicon mined of earth
The silicon mind of earth
June 1, 2014
Rising and falling, the transfer of energy,
the simple wave is itself in nature prominent.
To look too close is to see only the thing
and miss the implications of its movement.
From here on no further mention made
of the object of our salted minds.
Just an attempt with light and with shade
to find it between the lines.
It will be what it will be
June 1, 2014
Lengthening shadows signal the cycle
Is nearing its end
Soon to repeat again
And as the fading light races the horizon
The dust is what we’ve laid eyes on
The circuit complete
The awakening of earth’s mind
In a thousand incandescent lights
Streaming forth
To welcome all and then some
To receive the failed and winsome
Her final thought to hold a mass
For that which is hers to keep
The rest of which like polished brass
Not hers will be released
And tomorrows births
Will be described
In terms of shining metal
And tomorrow’s worth
Will be inscribed
On every flower’s petal
June 1, 2014
The fragile seed
Takes root and shoots
Green explosions of sunshine
Burst forth from the scattered ashes
Of those laid to rest
From the day when the mad disease
Took aim and shot
Their passing became
The passion behind
The protest of laughing children
Bellies full
The harvest abundant
Ringing from the bell tower
Over field and foe alike
The vanquished appetite
Of the now rusted machine
But a distant memory
Clouded by satisfied times
Grounded by gratified rhymes
05/30/2014
Recent Live Art piece from the Save the Waves fundraiser in SF a few weeks back. I’m really stoked how this one turned out. I went with a simple image of a wave about to break into a breakwall, an enigmatic comment on our role in shaping the shoreline, creating and destroying surf breaks along the way. I figured it would be relevant to the cause. Not sure if any of that came across at all, but still I was stoked to be a part of their event and raise a few dollars for them along the way.