Traveling Light

Now let me get this straight, I’m supposed to want what you’ve got?  Ain’t no wagon big enough to hold all the worldly possessions you offer, the shine and pop glittering off your leadbolten chains sunk and anchored deep in the molten core of the earth. No offense, friend, but I’m aiming to travel a little lighter than that.

Everything I own is packed up here, ready to go wherever life is still fragile and not yet covered with concrete and steel.  Boxes of unsettled memories, most of them mine, some of them borrowed, but that’s just fine.  I trade them on the roadside to strangers and friends alike just to feed my family. I got kids that call me Pa and a wife that loves me true and a newborn baby with eyes so blue they make the ocean cry even when the sun is shining, so it don’t bother me none that my tarp’s been leaking and my lung’s been rattling.  You call me poor, but I am rich. Richer than you anyway.  Your mountain of worthless money can’t buy what life has given me freely.

And you still say I’m supposed to want what you’ve got?  You step out from behind your polished black veneer of tinted glass to hurl spit and fire at me, threatening with scorn that I should dream your dreams for you?  You wonder why I stand unmoved as you command me to sign the dotted line and exchange what I’ve got for your drunken dream?  A cup of clean water for your barrel of poisoned wine?

Your dreams are nothing to me. I am the undreamed, my friend, and your stillborn dream will be left on the road unmourned where it will be trampled by the masses you dreamt of trampling.  And as for me, when all the words have been spoke and all the dreams undreamt, I’ll ignore my leaking tarps and my own rattling lung just long enough to smile on my kids and hold my wife close and jump in to the cleansing ocean of my baby’s eyes one more time before I have to travel even more lightly on.

Death is Unoriginal

There is nothing creative about death.  Destruction and decay follow the course that’s been laid from the foundation of the world.  Turning life into death is the natural order of things and always has been.  Tune into the program nightly and witness the procession of fast-food destruction served up on microwave-safe trays for public consumption on a global scale.  Pass the ketchup.  The armchair graveyard is never satisfied.

The crushing weight of seven LA freeways cannot compare to the tragedy of the needless speeding of Death’s Process.  Recklessly darting from lane to lane while shrieking a mournful howl across all 8 lanes, Death’s Process hangs one hand out the window flipping a wretched bird to every hopeless soul who by birth, design, or foolery lacks the horsepower to keep up with the flow of traffic.  Confined to the right lane, where they await a forced exit, cut off forever, these legions of hopeless are unmourned by the onslaught of a constantly accelerating culture.

Standing on the side of the highway, breathing in the concrete vapor of exhausted lives it’s a terrible and tragic fleeting moment when you connect the dots and see the wreckage spelled out in slow motion.  Parents weeping for children ripped from their arms by needless disease.  Children stranded, orphaned, and worse because we all had important things to do the day we saw them on the side of the road.  In this moment, delicate as the fluttering wings of a butterfly, the rush slows to a walking speed, the city evaporates and there is nothing but barren fields of earth.  Welcome home.

The TV is dead and gone now.  A new vision has sprouted from it’s earthen grave. Why live another spoon-fed day when we can go to the kitchen ourselves and cook up a thunderstorm with the fruit of the suddenly fertile earth? Feed the children, comfort the parents, take them all in to your own broken heart and listen for the sound of the wind and rain beating against that thin veil separating you from death itself. Life is not what you ever expected.

The Unexpected

It happened again the other day.  Cruising up the coast for a surf, minding my own business, getting passed by a speeding funeral hearse, and in one instant flash, the course of my life was altered.  No, it wasn’t an accident, at least not of the car wreck variety. It was more of an accident of mind, and it’s been happening a lot lately.  Apparently I never read the life-as-an-artist handbook that warns of all the dangers of inspiration.  I worry that if I keep this up, my creative license may get revoked.

Inspiration is a tragic fleeting moment where a new vision sprouts from the shallow earthen grave of a bad idea.  Often times I cling to the rotting corpse out of desperation, not knowing where else to turn, ignoring the funeral procession, refusing to wear black.  But I play the fool.  Death itself was made for bad ideas. There is nothing creative about destruction, decay, and death.  Turning life into death is the natural order of things.  Do nothing, and you will have played your part in the unmourned dance.

The tragedy of inspiration is that often the lifeless idea is the safe idea.  And when inspiration comes gently fluttering in with the breeze, behind it lurks the force of a thousand waterfalls not to be resisted.  Life itself blasts out a soul-splitting bass-line from the speakers of the funeral hearse.  Get up and dance!  Mourn if you must, but get up and move!  When death turns into Life, it’s never what you expect.

It’s often not what anyone else expects either.  Always surprising, at times embraced, but more often rejected, true creativity has no other path than to walk through these rusty gates.  The lock’s busted, the gates swing freely in the wind, creaking out a strangely melodic tune.  Welcome to the graveyard of bad ideas.  Here you’ll find the world’s best artists dancing on the graves while Inspiration herself does donuts on the graveyard lawn with the volume turned up to eleven in the funeral hearse.

California Gold

“Welcome to California.  Now get lost.”

Getting lost is an easy feat in the old city of one way streets and construction work dead ends, where the 2 a.m. limousines cruise the darkened streets and the drunk Russian couple leans out the window and invites you to their apartment for crepes and cigarettes and possibly no return.  Nothing to do but surrender to the waves of the pulsating neon narrative rewriting itself in the shade of this towering symbol of prosperity. The Golden Gate.

In truth there is nothing golden about this Pacific sea-faring gateway to the land of wealth and opportunity.  The gate itself is actually red.  The color of caution and rage, a warning shot to all who enter here seeking gold that it will not be easily gained.

Its been this way for a long time here.  Territorial disputes. Warring tribes. Warring nations. Blood-soaked ground.  Quick wealth seekers with gold dust in their eyes. Out of work dust-bowl refugees with only survival in their eyes.

Fast-forward to Silicon-chip greed gamblers. Buy-and-sell-for double real-estate mass-ponzi schemes. Grow-your-own-money-tree under the sheltering shade of medicinal legalities. Securing investments to disrupt our collective social engineering experiment with a handheld bet wagering ever higher stakes. In each of these manifestations of wealth-without-work mass mentalities, the winners are few and the collateral damage runs high.

The Spanish galleons seen on yesterday’s evening news were listing heavily from cargo holds full of dreams to be sold. They still circle the bay today, docking in the dark fog of modernity, selling these dreams to the corporate midnight brokers. They rebrand them and sell them for double on these beautiful streets of ancient brick as the smell of roasting coffee awakens the city daily from these plastic dreams that have been broken and left us broke.

Just like all the other scared souls afraid of losing what never really belonged to them in the first place, there are two things these merchants know very well; first, that broken bodies heal faster than broken dreams, and second, we are not in their dream.

Just how its always been…   “Welcome to California. Now get lost.”

The Middle Ground

Verbal Sketches Inspired by California's Central Coast


This collection of verbal sketches was one of the first times I can recall sitting down to write, just for writing's sake.  I remember being shocked just how much I enjoyed it and marveling at where in the world this stuff came from. It was a feeling of tapping into a part of myself I hadn't ever taken the time to get know before.

Drawing on memories, cliche, and the sheer enjoyment of putting words on paper, these brief little lines of prose still bring a smile when I revisit them.

Enjoy...

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