Hobo Lady Giving the Finger to a Freight Train # 1

Apologies for the blurry photo, this one got away before I got a good shot of it.
Anyway, this one could be a long story that maybe I’ll write out one day, but you get the idea from the title. You see some interesting stuff go down at times when you paint outdoors, mainly cause you’re just standing there observing your surroundings for extended chunks of time. This was a good one though. Stopped the train and everything…

Chatting With Suess #2

From the day I was shown this view, I looked forward to painting it. A sweeping vista of the coast revealed a summary of the region: a densely populated zone, but scattered with open spaces of arid beauty. A fertile ground from which to gaze out and ponder the absurdities of life that we take so seriously from sea level.

Dr. Seuss lived here. Not just metaphorically in the state of reflection on life’s quirkiness, but really, he literally lived right here. Behind this scene is the quiet hilltop neighborhood that he called home.

As I painted these two pieces side by side during a several hour session in the sun and heat of an early summer day, it crossed my mind that the good Doctor himself likely spent time out here walking these trails and enjoying this same view.

During the course of these paintings a few people stopped to chat, mostly because I was sort of blocking the trail and they had not much choice but to interact as they passed by.

But one particularly well dressed gentleman, gray hair, and a short gray beard, really seemed to take an interest in what I was doing on this hill. He mentioned he was “a bit of an artist” himself and enjoyed all sorts of art. He said he lived in a house “right over there” with a wave of his hand toward the home of the late Dr. Seuss.

Oh, I know full well this was just a man who lived in the neighborhood, perhaps even in Seuss’s old home, or at least very close to it. But even while knowing that, I am content to entertain the odd delusion that in some inexplicable way, I may have just met Dr. Seuss himself, and he likes my art. He never tried to buy the paintings (probably hard to do from the Great Beyond) but still, it’s great to know that the man who was likely responsible for the earliest influence in my art life now approves of what I’m doing today from over on the Other Side.

Well, at least in my delusional mind anyway…

-Entry on May 20, 2016

Chatting With Suess #1

From the day I was shown this view, I looked forward to painting it. A sweeping vista of the coast revealed a summary of the region: a densely populated zone, but scattered with open spaces of arid beauty. A fertile ground from which to gaze out and ponder the absurdities of life that we take so seriously from sea level.

Dr. Seuss lived here. Not just metaphorically in the state of reflection on life’s quirkiness, but really, he literally lived right here. Behind this scene is the quiet hilltop neighborhood that he called home.

As I painted these two pieces side by side during a several hour session in the sun and heat of an early summer day, it crossed my mind that the good Doctor himself likely spent time out here walking these trails and enjoying this same view.

During the course of these paintings a few people stopped to chat, mostly because I was sort of blocking the trail and they had not much choice but to interact as they passed by.

But one particularly well dressed gentleman, gray hair, and a short gray beard, really seemed to take an interest in what I was doing on this hill. He mentioned he was “a bit of an artist” himself and enjoyed all sorts of art. He said he lived in a house “right over there” with a wave of his hand toward the home of the late Dr. Seuss.

Oh, I know full well this was just a man who lived in the neighborhood, perhaps even in Seuss’s old home, or at least very close to it. But even while knowing that, I am content to entertain the odd delusion that in some inexplicable way, I may have just met Dr. Seuss himself, and he likes my art. He never tried to buy the paintings (probably hard to do from the Great Beyond) but still, it’s great to know that the man who was likely responsible for the earliest influence in my art life now approves of what I’m doing today from over on the Other Side.

Well, at least in my delusional mind anyway…

-Entry on May 20, 2016

Boulder Dash

Two hundred things to get done before I leave, and I go and spend the day boulder hopping with my paint gear all over the Humboldt coast. It truly is a problem. I’m not looking to fix it or anything, but maybe find a nice support group… where they serve donuts and coffee… on the beach… while painting… in between surfs. Hey now?

May Grays

Out from her
Slumber
Eyes blinking
At the newly minted greens
Of a silver spring day

The forest is full
Of dollars
But she is hungry
For the fish
That used to swim
Up the river

Today
She will
Stand still on the old
Logging road

And even though
The whole earth shakes
On this day
She will not be moved

A Hope and a Future

Painted live last week at Cannifest. Definitely not plein air. Blank white canvas to finished piece in one session though, no time to overthink it. Finally got a good photo of it. This is the one that won the audience vote up there. Pretty stoked about that.

Ephemeral Records

At high tide that rock with the trees on it is an island, but at low tide you can walk right out to it. Over 20 years ago I ventured out to it with a friend, our minds set on climbing up to the top of it.

Except neither she nor I were the climbing types, we were just a couple of wide-eyed college kids, checking out this great big world that we were supposed to make sense of real soon.

We approached the base and made our way to the north, then to the south then back again, looking for some non-death-inducing route up the vertical side. After a few false starts, we surrendered and made our way back to the beach.

As soon as we reached the sand, we looked back and saw a couple of people climbing down off the rock. Their fluid movements made their descent look effortless. As we stood there watching their route, we realized it was a young couple, not much older than us, who were oddly… not really wearing any clothes?

Ok, she wore some tiny bikini bottoms, and a jacket that she took off and gave to him once they made it off the rock and back on to the ground. But that was it. No shoes, no shirts, no pants. Just a couple of nearly naked hippie kids making this daunting climb look like a stroll on the beach.

We watched in amusement, from a respectful distance, and after a quick discussion, we decided that we would just wait for them to wander off back into the forest from whence they came and then make our way back out, and follow the route they took. After all, we had jeans, and shirts. We even had boots on. We could do this.

And we did.

Going up was not hard at all now that we knew what line to take. Making our way all the way up and over, we enjoyed the afternoon up there lounging on the grassy meadow that looked out toward the slowly setting sun.

We sat there watching the white trails drifting out from the various rockstacks, and shallow waters where the waves churn the ocean into a thick foam. We began to see them that day as ephemeral recordings of the ocean’s rhythms, songs recorded on the water, every set leaving a thicker trail, and the calmer moments a barely visible line. The record player spinning at the speed of the ocean’s current.

Seeing the tide had turned, it was time to leave or else we’d be facing a pretty good soaking trying to get back across the tidepools to the beach.

And yes, in case you were wondering, we kept our clothes on the whole time.

Remember I said we weren’t the climbing types? If we had been, we’d have known that climbing down is a much more difficult challenge than climbing up. We discovered that shortly.

The upper portion wasn’t too bad, there were plenty of tree roots to grab hold of as we made our way down the eroded hilltop on our way to the steeper rock face below. That rock face itself was fairly easy to climb as well, consisting of solid rock with lots of cracks and features to provide good hand and footholds. The zone in the middle though….

I’ve never climbed down a scarier chunk of earth in my life than that middle portion where the eroded dirt faces became too steep for plants and trees, but still consisted of slippery hard packed, smooth worn dirt that just gets steeper and steeper with nothing but vertical rock and shallow waters below. If she or I had slipped on this stretch I’m not sure there’s any way we could have stopped ourselves from sliding right over the edge.

Of course we made it down safely, and I’m sure much of the danger was only being magnified in that wide-eyed lens of my youthful mind. Either way, it was a relief to look back up at that rock from the safety of the shore.

Although I’ve been back out there on low tides many times since then, I’ve never even considered attempting to climb up that rock again. But still, when I see it standing out there, and catch a glimpse of that grassy meadow, I often recall that afternoon, that climb, and those naked hippie kids who showed us the way.

-Entry on April 15, 2016

Higher Education

My favorite part of painting this one wasn’t painting at all. It was watching my home-schooled 13 year old daughter charging the waist high lefts out there all alone, figuring out the lineup, waiting for sets, eating it, making others, and just generally getting after it. Ok. Carry on…