
Negative Donut

Painted this one en route to a lighthouse at California’s greatest turning point. I was originally going to paint the beach park about 5 miles north of this point, just around that first bend in the distance of this painting. After walking about 30 feet north to seek a nearby view, not even getting out of the parking lot, I turned on a whim and walked south. For 5 miles. I did some things wrong. I didn’t check the tide. I didn’t consult a map. I didn’t bring any food. All I remember is reading that you could walk to the lighthouse now, so off I went.
When I reached the 5 mile mark I couldn’t go any further on the beach, blocked by the massive cliffs jutting right into the water. No lighthouse in sight, I figured I would just follow the road that came down the ravine here. Lots of no trespassing signs, I mean, they really wanted to let people know, but I recognized the name on the sign as the previous landowners and so I thought that surely these must be out of date. When I got up on the bluff I could make out the lighthouse in the distance a little less than a mile away.
I could also make out a white truck. It’s always a white truck. I don’t know why. It just is.
Well, I figured the worst that might happen is that I’d be asked to leave. I figured I could talk my way out of any situation that arose, but I wasn’t sure I’d be able to talk my way into permission to pass if that’s what it came to. So after getting this far without thinking things through, I did the first smart thing I’d done all day. I retreated about 30 feet below the crest of the hill, out of sight from whoever was rolling around in that white truck, and painted this scene looking back over the coast I’d just traversed. This way even if I got kicked out of here on my way to ascend the knoll where the lighthouse was, I’d at least go home with this painting done. Proof of Concept, if you will.
Maybe it’s a self portrait.
This was painted at the Humboldt Botanical Gardens where there must have been at least 20 other artists working on the grounds. Maybe more. Beautiful people, hearts of gold, paintings of delightful beauty in various states of refinement.
I show up late, wander the entire garden, perpetually unsatisfied with the beauty before me. Feeling woefully inadequate to convey anything true or special about the infinite miracles of life all around me.
A sign beside the trail reads “Naughty children must pull weeds”.
I consider pulling weeds instead of painting, but they asked me to come and paint, not wallow in self pity, so in a flash of brilliance I realized that even though I deserved to just sit down and yank weeds, by not doing so and painting instead I would then for once be doing as I was told and could avoid botanical justice… for at least just this afternoon.
And the next thing I knew I found this lonely little rose bush standing apart from the other plants. A head full of beauty and a body full of thorns. This is my people.