“A Hard Rain” $683

Medium: Acrylic on Canvas
Size: 20″ x 16″
Year: 2019

Price: $683
*all prices subject to change and availability, CONTACT us for more info.

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Matt Beard Art- Plein Air Original Painting Documentation

Price Breakdown:

Base Price:
$400 – ($1.25 per square inch)

Travel:
$199.5 – Approximate distance from Eureka, CA ($0.3 per mile)
$50 – Overnight Travel
$0 – Sleeping in Van
$0 – Tricky Urban Camping

On the Ground Logistics:
$0 – Paid Parking
$0 – Illegal or Questionable Parking Required: Nope
$0 – Parking Ticket or Citation Issued

$0 – Painted from Roof of Van (that platform wasn’t cheap)

$0 – Painted from Private Land: No
$0 – Posted ‘No Trespassing’
$0 – Harrassed by Authorities/Told to Leave
$0 – Citation for Tresspassing Issued
$0 – Fence/Gate Hopping
$0 – Barbed Wire
$0 – Blood

$7.5 – Hauling Gear on Foot ($30 per mile)
$0 – Off Trail Wilderness Tromping
$0 – Climbing or Vertical Scrambling Requiring Use of Hands: None
$0 – Full On Bushwhacking: None

$0 – Poison Oak Observed: None
$0 – Bee/Wasp/Other Painful Insect Bites ($15 each)
$0 – Mosquitoes: None
$0 – Ticks Observed on Skin or Clothing: None
$0 – Tick Bites ($125 each!!)

$20 – Wind ($2 per mph)
$0 – Shade/Sun: Mostly Overcast
$6 – Heat/Cold ($1.5 per degree farhenheit above/below 65)
$0 – Crowds/Questions/Human Element: Nice and Quiet

$0 – Sustenance Provided by Others Before, During or After Painting: Nadda
$0 – Fun Surf At Location Before, During, or After Painting: Nothing, if it looks good in the painting, I probably lied.

$ – Other:
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$683 – TOTAL COST

Notes:
Recently I’ve been really enjoying the rough stages of my underpainting process, where the canvas is all awash in thin coats of transparent paint, dripping, running, colors bleeding together in an unhindered enjoyment. When these loose rough sketches come together, it’s often a disappointment when I go to finish them. I find there are parts of a painting that I really enjoy developing more than others. I’ve been thinking of how to leave some areas unworked and just focus on the parts I want to focus on. The rains that have been threatening and following me around on this trip have got me thinking to just let the paint run in those areas and this was a first attempt to embrace the “unfinished” in my work. In this case it was the dark foreground hillside. I was drawn to the drama of light on the distant scene, and just didn’t want to get bogged down in rendering the foreground rocks and grass with the same degree of attention as I wanted to give the ocean and cove in the distance- so I didn’t. I just painted it dark and let it run… and left it be. It’s an ominous effect, but I like it.

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